Crime/Thriller, Romantic Paranormal
Snapshot in the parking lot. Man and woman embrace. Betrayal, I see it every day, like my own reflection in the mirror staring back at me. Another case, another bottle of booze, life is no longer a mystery to me …
… Because I’m the private eye, hot on your trail; the top gun for hire. You’ll find me lurking in the shadows, always searching for a clue. I’m the bulletproof detective. I got my eye on you …
What’s a little sin under the covers, what’s a little blood between lovers? What’s a little death to be discovered, cold stiff body under the covers?
I’m digging you a desert grave, underneath the burning sun. You won’t be found by anyone. Vultures circle in the sky, and you, my dear, are the reason why.
… I was always easily influenced.
Smith spit out another peanut shell onto his Chevy’s floorboard as his gaze stayed trained on the Desert Palms Motel’s front entrance. His fingers instinctively found the opened bag in the complete darkness and pinched another nut. He squeezed his eyes closed to ward off the simmering residual headache from the most recent blackout. The sound of the rain pelting the windshield was soothing.
“Come on. Where are you? You took the last two nights off. I can’t imagine you being on vacation.”
Headlights turning into the parking lot diverted his attention from the motel’s front door. He squinted to decipher the make and model of the vehicle through the downpour. A Bentley. He sighed and returned his focus to the motel as he fingered the brim of his newly purchased replacement fedora and then tossed it next to him in frustration.
Smith removed his revolver from his shoulder holster and checked that all six chambers were loaded for the umpteenth time. He secured the weapon and grabbed the small notebook from underneath his discarded fedora, lying on the passenger seat, where Wynn should be sitting. But she had maintained radio silence throughout the past two days since storming from Hank’s office. He shook his head in disgust for letting Wynn’s drama distract him from the job at hand.
He swiped the Chevy’s dashboard with his palm to clean off the thick layer of dust that had collected from months of neglect. He wiped his hands on his pants, leaving a graying smear across the fabric covering his thighs. He reached into his trench coat’s inner pocket and removed a silver flask. He opened the top and looked at the engraved insignia on the front. His index finger traced the shining eyeball hanging freely in the cut-out middle of a pyramid. Taking a swig from the decorated flask, he grimaced as the brown liquid hit the back of his throat.
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How I handled the research for the book.
With my rock-fiction novels and short stories, my research is a little different than other genres. Because rock fiction is adapting an album or single song into a novel or short story, first I search for any interviews with the band surrounding that particular release, to get a better idea of where their heads were when they wrote it. Then I study the lyrics, line by line, and try to figure out which ones are literal and which ones are supposed to be ambiguous. Then I begin my outlining, separating the literal lyrics and building the story arc from those and using the ambiguous ones more for ambience and tone. For an upcoming book, however, my wife and I are flying to London to do on-location research and interviews. This will be the first time I get on a plane and travel anywhere for the sole purpose of research for a novel.